Born Virginia, lives New York, NY

ONE PERSON EXHIBITIONS

2011 - Mass MoCA, North Adams, MA
-Elizabeth Harris Gallery, New York, NY
2009 - "Color Wheels," Brattleboro Museum and Art Center, Brattleboro, VT
Giordano Gallery, Dowling College , LI
2008 - Elizabeth Harris Gallery, New York, NY
- New Britain Museum of American Art, New Britain, CT
2007 - Elizabeth Harris Gallery, New York, NY
- Montclair Art Museum, Montclair, NJ
2006 - "Light My Fire", Rice University Art Gallery, Houston, TX
2004 - Elizabeth Harris Gallery, New York, NY
2002 - Elizabeth Harris Gallery, New York, NY
1999 - Holly Solomon Gallery, "Ricochet", New York, NY
1998 - Bucknell Art Gallery, Bucknell University, Lewisburg, PA
- Esso Gallery, Project room, New York, NY
- Esso Gallery, Project Room, "Theatre of Exhibitions" (One Work a Day), New York, NY
1995 - A/D Gallery, New York, NY
1994 - Horodner Romley Gallery, New York, NY
- Galerie Christiane Chassey, Montreal, Quebec
1993 - Horodner Romley Gallery, New York, NY
- Bernard Toale Gallery, Boston, MA
1989 - Vaughan & Vaughan Gallery, Minneapolis, MN
- Rosa Esman Gallery, New York, NY

GROUP EXHIBITIONS

2008 - “Color in 3D, Found, Applied and Readymade”, Curated by Saul Ostrow, Westport Arts Center , Westport , CT
2007 - "Bits and Pieces: The Collage Impulse", curated by Susan Hoeltzel, Lehman College Art Gallery, Lehman College, Bronx, NY
2006 - "Global", Westport Arts Center, Westport, CT, curated by Richard Klein, catalogue online
2005-6 - "Over & Over", Krannert Art Museum, University of Illinois ar Urbana-Champaign, Illinois; Addison Gallery of American Art, Phillips Academy, Andover, MA; Katonah Museum, Katonah, NY; Austin Museum of Art, Austin, TX
- "Everyday Objects", Sun Valley Center for the Arts, ID
2005 - "New Art, New York: Reflections on the Human Condition", Trieenberg Headquarters, Traun, Austria, curated by Margaret Mathews-Berenson
2003 - "Summer Color", Elizabeth Harris Gallery, New York, NY
2002 - "Archipelago: An Intimate Immensity", curated by Cydney Payton & Ann Shostrum, Museum of Contemporary Art, Denver, CO
- "Paper Cuts", curated by Karen Shaw, Islip Art Museum, East Islip, NY
- "Arte Povera American Style", curated by Bruce Chechefsky and Julie Langsam, catalogue, Reinberger Galleries, Cleveland Institute of Art, OH
2001 - "Paper", the Aldrich Museum of Contemporary Art, Ridgefield, CT
- "Be/Hold", Portland Institute of Contemporary Art, Portland, OR
2000 - "Luscious", Elizabeth Harris Gallery, New York
- "Trunk Show", curated by Ann Shostrom, Zollere Gallery, Pennsylvania State University, University Park, PA
- "Yard Sale", curated by Barbara Pollack, (with Stuart Horodner), Downtown Arts Festival, NYC Lab School, New York, NY
1999 - "Past Forward", Holly Solomon Gallery, New York, NY
- "Shared Roots", Anderson Gallery, Virginia Commonwealth University, Richmond, VA
- "The Mind on Scale", Arti et Amicitiae, Amsterdam, Netherlands
1998 - "Something to Bump Into, Kagan Martos Gallery, New York, NY
- "Loose Threads", curated by Lisa Corrin, Serpentine Gallery, London - -
- "May 17, 1998", One Day Exhibition, curated by Regine Basha, Christoph Gerozisses & Anton Vidokie, Cold Spring, NY
- "Food Matters", curated by Stuart Horodner & Saul Ostrow in conjunction with "Taste, Nostalgia" by Lusitania Press, Center Gallery, Bucknell University, Lewisburg, PA and E.S. Vandam Gallery, New York, NY
1997 - "Making It", curated by Susan Canning, The Work Space, New York, NY
- "Sweet 'n Low", Sherry Frunkin Gallery, Santa Monica, CA
- "Blurring the Boundaries", Lydia Dona & Lisa Hoke", Caren Golden Gallery, New York, NY
1996 - Elizabeth Fiore Salon, New York, NY
- "Close to Home", Lehman College Art Gallery, Bronx, NY
- "Painting in an Expanding Field", curated by Saul Ostrow, Usdan Gallery, Bennington College, Bennington, VT
- "My Friends in My Apartment", curated by Barbara Pollack, New York, NY
1995 - "Lisa Hoke, Elena Sisto, Jessica Stockholder", Dru Arstark Gallery, New York, NY
- "Conceptual Textiles/Material Meaning", curated by Allison Ferris, Kohler Arts Center, Sheboygan, WI
- "Projects", curated by Karen Shaw, Islip Art Museum, East Islip, NY
- "Universe of Meaning-directions in Contemporary Sculpture", curated by Judith Stein, Brattleboro Museum & Art Center, Brattleboro, VT
- "Object Lessons, Feminine Dialogues with the Surreal", curated by Ann Wilson Lloyd & Jeffrey Keouhg, Massachusetts College of Art, Boston, MA
1994 - "Family Values", Russet Lederman Productions, New York, NY
- "Family Ties", P.P.O.W. Gallery, New York, NY
- "Review/Preview", Bernard Toale Gallery, Boston, MA
- "Redefining the Pop Icon in the Nineties", curated by Jeanie Deans, Pamela Auchincloss Gallery, New York, NY
- "Sculpture", Arena, Brooklyn, NY
- "In the Lineage of Eva Hesse", Aldrich Museum, Ridgefield, CT
1993 - "1920", Exit Art, New York, NY
- "Transient Decor, Rm. 311", curated by Saul Ostrow, Roger Smith Hotel, New York, NY
- "Simply Made in America", Aldrich Museum, Ridgefield, Ct
- The Contemporary Art Center, Cincinnati, OH - - -
- The Butler Institute of Art Center, Youngtown, OH
- Palm Beach Community College of Art, Palm Beach, FL
- Delaware Art Museum, Wilmington, Delaware
- "Post-Dialectical Index", Palazzo Costanzi, Trieste, Italy
- Studio Lattuada, Milan, Italy
1992 - "Reverberations", curated by Terrie Sultan, Corcoran Gallery of Art, Washington, D.C.
- "Boy Meets Girl", Horodner Romley Gallery, New York, NY
- "Leonardo Drew, Lisa Hoke, Brad Kahlhamer", The Thread Waxing Space, New York, NY
- "Then & Now, the Aldrich Museum", Philippe Staib Gallery, New York, NY
1991 - "Nomos", curated by Robert Mahoney, Penine Hart Gallery, New York, NY
- "American Art Today: New Directions", The Art Museum at FloridaInternational University, Miami, FL
- "Animation and Ornamentation", curated by Stephen Westfall, Roland Gibson Gallery, SUNY at Potsdam, NY, Emily Lowe Art Gallery, curated by Stephen Westfall, Syracuse University, Syracuse, NY
1990 - "Contingent Realms, Four Contemporary Sculptors", curated by Adam Weinberg, Whitney Museum of American Art, Equitable Center, New York, NY
- "Deceptively Simple", Schmidt/Markow Gallery, St. Louis, MO
- "Awards in the Visual Arts 9", New Orleans Museum of Art, LA
- SECCA, Winston-Salem, NC
- Arthur M. Sackler Museum, Harvard University, Cambridge, MA
- BMW Gallery, New York, NY
- "Formulation & Representation: Recent Abstract Sculpture", Hunter College Art Gallery, New York, NY
1989 - "Terry Adkins, Carol Hepper & Lisa Hoke", Germans Van Eck Gallery, New York, NY
- "Straus Collection", Aldrich Museum, Ridgefield, CT
- "Group Sculpture Exhibit", Blum Helman Gallery, New York, NY
- "Scale", Rosa Esman Gallery, New York, NY
- "Unpainted Metal/Wall Sculpture", John Davis Gallery, New York, NY
- "Innovations in Sculpture, 1985-1988", Aldrich Museum, Ridgefield, CT
- "From the Back Room", Saxon-Lee Gallery, Los Angeles, CA
- "Tension Between Line & Mass", Marion Locks Gallery, Philadelphia, PA
1987 - "Looking at New Work", Rosa Esman Gallery, New York, NY
- "Edge and Balance", Rutgers University Gallery, Newark, NJ
- "Material Transformations", curated by Frederieke Taylor, Rosa Esman Gallery, New York, NY
1986 - "Sculpture Exhibit", Lang & O'Hara Gallery, New York, NY
- "Six Sculptors", curated by Valerie Smith, Artist's Space, New York, NY
1985 - "Recommendations", White Columns/Karmakazi Club, New York, NY
1984 - "On View", curated by Ned Rifkin, The New Museum, New York, NY

BIBLIOGRAPHY

2007 - "Sculpture", NY Sun, March 5, p 12
- "Bright Young Things", The New York Magazine, Feb. 12
2006 - Fitlow, Jeff, “News Brief”, Rice University News, Houston, TX, Sept 21
- Plocek, Keith and Schulze, Troy , Capsule Review, Houston Press, May 23
- Ramey, Julia, “No Acid Necessary”, Houston Press, May 19
2005 - Temin, Christine, “Perspectives”, “Repetition makes the Ordinary Sublime”, Boston Globe , July 20
- Genocchio, Benjamin, “Making Something Out of Nothing”, The New York Times , CT Arts
- Duggan, Ginger Gregg, Fox, Judy Hoos, & Harleman, Kathleen, catalogue essays for “Over and Over: A Passion for Process”, published by the Kranert Museum , University of Illinois at Urbana-Champaign
- Mathews-Berenson, Margaret, catalogue essay for “New Work, New York” and “Trierenberg Art, Kunst im Werk”, published by Tannpapier, Traum , Austria
- Maine, Stephen, "Review of Exhibitions - Lisa Hoke at Elizabeth Harris", Art in America, April, pp 146-7
2004 - Cohen, David, The New York Sun, Dec. 16, p 17
- Walentini, Joseph, "New York Views", Abstract Art on Line, December 15, pp 5-6
2003 - Cohen, David, "Summer Color", New York Sun, July 3, p15
- New York Times Magazine: Style and Entertaining: Part 2, Spring, "The Mud Club," by Michael Boodro, p 82, illustration
- Ostrow, Saul, "Art Povera American Style: Funk, Play, Poetry and Labor", NY Arts, January
2002 - Princenthal, Nancy, brochure essay for exhiition at Elizabeth Harris Gallery, New York, NY
- "Galleries-Chelsea", The New Yorker, March 11, pp 17-18
2001 - Hirsch, Faye, Art on Paper, Sept.-Oct., p 77
- Horodner, Stuart, catalogue essay for "Be/Hold", Portland Institute of Contemporary Art, Portland, OR
- Hough, Jessica, catalogue essay for "Paper", the Aldrich Museum of Contemporary Art, Ridgefield, CT
- Horodner, Stuart, "By the Dozens: Lisa Hoke", Surface Magazine, March, p 91
- Princenthal, Nancy, "Paper",The Aldrich Museum of Contemporary Art", Art on Paper, July-Aug., p 70
2000 - Bowles, K. Johnson, "Straw into Gold", Fiberarts, Jan/Feb, vol 26, no 4, pp 35-40
- Johnson, Ken, "Luscious", The New York Times, "Art in Review", Jan. 14, p E39
- Levin, Kim, "Voice Choices", Village Voice, Feb. 8
1999 - Clifford, Katie, New Art Examiner, May, p 58
- D'Souza, Aruna, Art in America, Oct., pp 157-8
- Pellegrin, Maurizzio, "Anthology of Artists' Writings", Innerscapes, pp 149-150
1998 - Cook, Richard, London Times, Sept. 2
- Harris, Jane, "Making It", Review, Feb 1, p 37
- Kent, Sarah, Time Out (London), Sept. 2
- Pollack, Barbara, "Leaping Off the Pedestal", ARTnews, June, p 106
1996 - M/E/A/N/I/N/G, #19/20, May
- Catalogue, "Conceptual Textiles", Kohler Arts Center, Kohler, WI
1995 - Canning, Susan M., New Art Examiner, April, p 40
- Cotter, Holland, "Feminist Art, 1962 Until Tomorrow", The New York Times, March 17, p 25
- Lloyd, Ann Wilson; Keough, Jeffrey; Ramljak, Suzanne & Hapgood, Susan, catalogue essays, "Object Lessons, Feminine Dialogues with the Surreal", Massachusetts College of Art, Boston, MA
- McQuaid, Cate, "Ways of All Flesh", The Boston Phoenix, Feb. 3, Section 3
- Melrod, George, "New York", Sculpture Magazine, March/April, p 38
- Scott, Sue, brochure essay, "Art as a Metahor for Change", PECO Collection, King of Prussia, PA
- Stapen, Nancy, "Feminine Dialogues with the Surreal", Boston Sunday/Globe, Jan. 29
- Stein, PhD, Judith, brochure essay, "Universe of Meaning/Directions Contemporary Sculpture", Brattleboro Museum & Arts Center, Brattleboro, VT
- ___________"Doclumentary", Chain/2, Spring, p 114
1994 - Cotter, Holland, The New York Times, Dec. 2
- Hess, Elizabeth, catalogue essay, "In the Lineage of Eva Hesse", the Aldrich Museum of Contemporary Art, Ridgefield, CT
- Hirsch, Faye, Print Collector's Newsletter, vol. xxv #2, May/June
- Knafo, Robert, Art & Auction, June, p 52
- Levin, Kim, Village Voice, Nov. 30
- Princenthal, Nancy, Art in America, Jan., p 102
- Smith, Roberta, The New York Times, April 22
- Smith, Roberta, The New York Times, March 18
- M/E/A/N/I/N/G, #16, Nov., p 15
- ____________, Le Devoir, (Montreal), June 5, p C13
- ____________, The Mirror, (Montreal), May 26-June 2, p 26
1993 - Donegan, Cheryl, Tema Celeste, Winter
- Hess, Elizabeth, Village Voice, April 20
- Levin, Kim, Village Voice, March 17
- Schwendenwien, Jude, "Dress Code", Sculpture Magazine, November/December
- Stapen, Nancy, The Boston Globe, June 24
1992 - Faust, Gretchen, Arts, April, p 84
- Heartney, Eleanor, Art in America, May, pp136-137
- Levin, Kim, Village Voice, March 3
- Sultan, Terrie, catalogue essay, "Reverberations", Corcoran Gallery of Art, Washington, D.C.
- ____________, The New Yorker, Feb. 24, p 13
1991 - Kohen, Helen, Miami Herald, Jan. 13, p 2H
- Mahoney, Robert, brochure essay, "Nomos", Penine Hart Gallery, New York, NY
- Westfall, Stephen, catalogue essay, "Animation & Ornamentation", SUNY at Potsdam and Syracuse University, New York
1990 - Brenson, Michael, The New York Times, Oct. 19
- Carr, Genie, Winston-Salem Journal, PH1, July 29
- Cyphers, Peggy, Arts, Jan., p 95
- Edwards, Susan, catalogue essay, "Recent Abstract Sculpture", Hunter College Art Gallery, New York, NY
- Kachur, Lewis, "Overwhelming the Gallery Cube", Art International, Spring, pp 71-2
- Lippard, Lucy, catalogue essay, "Awards in the Visual Arts 9"
- Litt, Steve, News and Observer, (Raleigh, NC), Aug. 17, p 5
- Patterson, Tom, Winston-Salem Journal, Sept. 16, p.H1
- Silver, Joanne, Boston Herald, Nov. 30, p S23
- Sussler, Betsy, interview, Bomb, Spring
- Temin, Christine, Boston Globe, Arts Section, Nov. 26
- Vertrockq, Marcia E., Arts, Sept., p 80
- Weinberg, Adam, catalogue essay, "Contingent Realms", Whitney Museum of American Art at Equitable Center, New York, NY
1989 - Cameron, Dan, catalogue essay, "Selection from the Straus Collection"
- Zimmer, William, The New York Times, (CT Edition), Aug. 20
- ____________Weekend Magazine (Ridgefield, CT), Aug. 21
1988 - Straus Marc, brochure essay, "Unpainted Metal/Wall Sculpture", John Davis Gallery, New York, NY
- Donahue, Victoria, Philadelphia Inquirer, July 30
- Mahoney, Robert, Sculpture Magazine, May/June, p 35
- Princenthal, Nancy, Art in America, April
- ____________brochure, "Innovations in Sculpture", Aldrich Museum of Contemporary Art, Ridgefield, CT
1987 - Mahoney, Robert, Arts, Dec., p 108
- Raynor, Vivian, The New York Times, (NJ Edition), Oct.
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AWARDS/GRANTS

2008 - Edwin Austin Abbey Fellowship, The National Academy Museum and School of Fine Arts, New York, New York
1996 - The Joan Mitchell Foundation Grant
1990 - Awards in the Visual Arts, SECCA, Winston-Salem, NC

EDUCATION

1979-1980 - Florida State University, Tallahassee, FL
1975-1978 - BFA Virginia Commonwealth University, Richmond, VA
1970-1974 - BA University of North Carolina at Greensboro

PUBLIC COLLECTIONS

Johnson Museum of Art, Cornell University
Microsoft, Redmond, Washington
New Orleans Museum of Art, New Orleans, LA
New York Public Library, New York, NY
Orlando Museum of Art, Orlando, FL
Peco Energy, King of Prussia, PA
Whitney Museum of American Art, New York, NY